| David Holmes |
Living Room |
Bow Down To The Exit Sign |
|
| Talibam |
Lunch Break at Naan |
Ordination Of The Globetrotting Conscripts |
* |
| The Red Elvises |
Cosmonaut Petrov |
Russendisko |
|
| The Moontrekkers (Joe Meek) |
Night of the Vampire |
Vampires, Cowboys, Spacemen and Spooks |
* |
| Moir Drammaz |
czy znasz mnie czy nie? |
to.je.take.co.take.to.! |
* |
| |
| Fall of Saigon (Pascal Comelade) |
Visions |
Self Titled |
|
| Young Marble Giants |
Final Day |
Nipped In The Bud |
|
| Young Marble Giants |
Radio Silents |
Nipped In The Bud |
|
| Nini Raviolette |
Suis-Je Normale |
So Young But So Cold: Underground French Music 1977-1983 |
|
| Nobody Presents Blank Blue |
All the Shallow Deep |
From L.A. With Love (compilation) |
* |
| Ludus |
Breaking The Rules |
Grrlz: Women Ahead of Their Time |
|
| Electronicat |
Seveneves |
Chez Toi |
* |
| Moskitoo |
Tarantella |
Drape |
* |
| Romvelope |
Finger of Blame |
One Course Meal |
* |
| Jablkon |
Baba Aga |
New Music From Central and Eastern Europe Vol 1 |
|
| Yat Kha |
Solun Chaagai Sovet Churtum |
Yenisei Punk |
|
| Theater of Tragedy |
Der Tanz Der Schatten |
Velvet Darkness They Fear |
|
| |
Music behind DJ: Neu |
Fur Immer |
|
|
| Unknown (found by Jaime Fillmore) |
Phil's Baby |
The Relay Project |
|
| Cerberus Shoal |
Ding |
The Vim and Vigour of Alvarius B & Cerberus Shoal |
|
| Zarah Leander |
Ich Weiss Es Wird Einmal Ein Wunder Geschehn |
|
|
| Kinderlieder aus der DDR |
Mit Klingelingeling |
Wenn Mutti Fruh Zur Arbeir Geht |
|
| |
| Girlschool |
20th Century Boy |
|
|
| Rocket Freudental |
Beneluxus Europoort |
Die Weisheit Wachst Auf Baumen |
|
| Jah Wurzel |
Wuthering Heights |
A Collection of Hybrid Mutants |
* |
| EZ Lee |
Vain Mistake |
LondonBooted |
|
| The Friendly Hopefuls |
The Friendly Hopefuls Salute the Punks of '76 |
|
|
| Girls at our Best |
Getting Beautiful Medley |
|
|
| Painoj |
Khor Tan Gor Mee Hua Jai (The Night Chicago Died) |
Thai Pop Spectacular |
* |
| Ofo The Black Company |
Love is You |
The Last King of Scotland (soundtrack) |
* |
| |
| SRP |
Blues |
Self Titled |
|
| Ethel Smith |
Theme From Carnival |
The Many Moods of Ethel Smith |
|
| People Like Us & Ergo Phizmiz |
Soggy Style |
Perpetuum Mobile |
* |
| Alexander Fedoriousk & Ensemble Harmonia |
Geamparalele Tsambalul |
Balkans without Borders |
|
| Tapani Varis |
Menuetti |
Jews Harps |
|
| Ken Wallace |
When God Dips His Pen of Love |
|
|
| Gotz Allsmann |
Dein Kuss von gestern Nacht, Mein Schatz |
German Pop, Vol 1 |
|
| Chicha Libre |
Primavera en la Selva |
Amazonicas! |
* |
| Ennio Morricone |
Velvet Muscles |
Malamando |
|
| Asi Mina |
Wszystko Mami / Have All |
Title Track |
* |
| Moir Drammaz |
Track 16 |
to.je.take.co.take.to.! |
* |
| too many things going on to say... |
|
|
|
| Johann Georg Albrechtsberger |
Menueto, Moderato |
Concerto for Jews Harp, Mandora and Orchestra |
|
Listener Comments
http://www.mikmusik.org/musik/artists.php?artist_id=2&lang=1
Don't know that one.. I was telling you about Russensoul
go Trikont
"Review by Frans de Waard (Vital Weekly 263 - a newsletter of Staalplaat Records):
"Wojt3k belongs to the people behind the Polish band Moir Drammaz (who have a couple of releases on Open Circuit) and works as a visual artist and runs the Mik Musik label. However this is his first solo release. Even when some people out there think that Poland is still a remote area, Wojt3k proofs he's been catching up with the latest stuff on electronica, more particulary microwave and click music. He presents us very clinical pieces, pieces that enter a groove, a mode and continue inside that mode. Clicks remain clicks, and rhythms never become danceable. Unclear wether these clicks are derived from digital sources or from good old analogue synths. Wojt3k manages to keep his pieces short and despite some repetition, his release is varied enough to hold ones attention throughout. And some of these sounds are inspiring enough (or should that be "empty enough"?) to attempt remixing or reworking? Maybe Mik Musik could start a series of likewise releases. Arty package too, blue transparant box and small edition, 55 copies only...""
and the track is called, as if it helps until you get a Polish translator:
"czy znasz mnie czy nie?"
"czy znasz mnie czy nie?" = If (or) you know me if (or) not
or play more Moir Drammaz
Watermelons give you several clues as to when to harvest. Observe the tendril, a small curly stem (pigtail) on the watermelon vine directly opposite the point where the melon is attached to the vine. When the melon ripens, this tendril dries and turns brown or gray. The melon also develops a "soil spot" where the melon sits on the soil, unless you periodically turn the melon. Don't turn the melon, because you want to use this soil spot to determine ripeness in the melon. When the melon is immature, the spot is greenish or white. As the melon ripens the spot develops a cream or yellowish color. This indicates ripeness. Thumping the melon to determine ripeness is difficult. However, people with a musician's ear may wish to choose their watermelon by thumping it. A dull thud sound indicates ripeness, or perhaps over-ripeness. A ringing sound heard when the melon is thumped indicates an unripe melon.
The method with the greatest chance of success for choosing a ripe watermelon is "plugging," or cutting a plug out of the melon to look at the flesh just beyond the rind. Some watermelon sellers will plug melons for you, others do not. Plugging is not acceptable practice in the grocery store unless the produce manager does it for you. In the garden, plugging ruins the watermelon if it is not ripe.
All-female groups have always been a rarity in rock music. One of the best was Girlschool, which combined a heavy metal sound with a punk sensibility in their early 1980s heyday. The group's outstanding instrumentalist was lead guitarist Kelly Johnson, who has died of cancer of the spine, aged 49. Read the obituary in The Guardian.
Another fine show: any Clash (LondonBooted) sop is cheating, but effective. I'm a sucker for pandering...
but what if the play list and the comment box were in iframes of their own, that would allow them to dynamically update without making the whole page flash.
1) Not going to work reliably in every browser.
2) Still makes the user scroll all over the place to get between totally different kinds of content.
My ideal design, assuming no pop-up for entering comments, is the 3-frames one. I'd stick the comments along the right side in their own frame, and keep the comments box at the bottom. I think what Ken F. must be asking for is a more broad pretty-fying of the generic playlist pages.
Buz: ali's iframes suggestion isn't quite AJAX. I also considered an AJAX approach but it suffers even more from the mixed browser support issue. I would consider it unacceptable if a playlist page didn't function on even one browser. (* The text-based browsers Lynx and Links DO support regular frames!)
Top